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Final San Francisco-minted 2020 American Eagle Silver Proof Coin Featuring the Classic ‘Heraldic Eagle’ Reverse Goes on Sale on October 13

American Eagle 2020 One Ounce Silver Proof CoinWASHINGTON–The United States Mint (Mint) will open sales for the San Francisco-minted 2020 American Eagle One Ounce Silver Proof Coin (product code 20EM) on October 13 at noon EDT. This is the last time this coin will be available featuring the iconic “Heraldic Eagle” reverse (tails) design.

The American Eagle One Ounce Silver Proof Coin is struck on a 99.9 percent fine silver blank. The coin’s obverse (heads) displays Adolph A. Weinman’s full-length figure of Liberty in full stride, enveloped in folds of the flag, with her right hand extended and branches of laurel and oak in her left. Its reverse (tails) features former Mint Sculptor-Engraver John Mercanti’s rendering of a heraldic eagle with shield, an olive branch in the right talon and arrows in the left. Each coin is encapsulated and packaged in a satin-lined blue velvet presentation case. A Certificate of Authenticity is included.

Produced since 1986, the American Eagle Silver Proof Coin is the collector version of the official United States Mint American Eagle Silver Bullion Coin. Beginning in mid-2021, the coin will feature a new reverse design in recognition of the 35th anniversary of the American Eagle Coin Program. Visit https://catalog.usmint.gov/coin-programs/american-eagle/ to learn more.

The San Francisco-minted 2020 American Eagle One Ounce Silver Proof Coin is priced at $73. Mintage is set at 200,000 units. Orders will be accepted only at https://catalog.usmint.gov/american-eagle-2020-one-ounce-silver-proof-coin-20EM.html. Information about shipping options is available at catalog.usmint.gov/customer-service/shipping.html.

To reduce the risk of employee exposure to COVID-19 in the workplace, the Mint’s sales centers are closed until further notice. Additionally, due to operational adjustments in response to COVID-19, our customer service representatives are available to assist with any questions you may have, but are unable to accept credit card information or place your order over the phone. Please use our website for all order placements at this time.

Note: To ensure that all members of the public have fair and equal access to United States Mint products, the United States Mint will not accept and will not honor orders placed prior to the official on-sale date of Oct. 13, 2020, at noon EDT.

The Royal Mint to release its first coin commemorating itself

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Created as part of the Tower of London coin series with Historic Royal Palaces

For the first time in its 1,100 year history, the Royal Mint has unveiled a special £5 coin in commemoration of itself, and the story of Britain’s coinage. The coin was created in collaboration with Historic Royal Palaces – the independent charity responsible for the care of the Tower of London and 5 other unique heritage sites – and is the third in a collection of four commemorative Tower of London coins documenting the iconic landmark’s history.

The Royal Mint is the original maker of UK coins and can trace its history back to the time of Alfred the Great, however in 1279 it found a home in The Tower of London when Edward I decreed that minting should take place at Britain’s most secure location.

The Royal Mint coin design pays tribute to these origins, and features a replica Edward I penny – one of the first coins struck at the Tower – set against a Norman arched window from the White Tower. The reverse design features a special Tower mint mark, which can also be found on the other coins within The Tower of London collection. The coin was designed by heraldic artist, Timothy Noad.

During its 500 year tenure at the Tower of London, The Royal Mint grew from a small workshop to factory buildings within the Tower’s Mint Street. With various monarchs reigning over the mint throughout the centuries, The Royal Mint was in the centre of some of the country’s biggest power struggles, as well as home to some of the countries most celebrated icons; such as Sir Isaac Newton, who was once ‘Master of the mint’.

Clare Maclennan, Divisional Director of Commemorative Coin at The Royal Mint said: “This is the first time that we’ve celebrated the story of UK coins on a coin, and it pays homage to centuries of designers, innovators and makers at The Royal Mint.

“Following on from our coins commemorating the White Tower and the Royal Menagerie, it feels fitting that the third coin in our Tower of London series honours the 500-year residency of The Royal Mint. During that time pioneers such as Sir Isaac Newton helped revolutionise the way we use gold and money, with techniques and innovations that are still used today.

“As the original maker of UK coins, we can trace our unique history back centuries, and although we call South Wales home today – the Tower of London will always hold special significance as the place our story began.”

Emma Saunders, Head of Brand Licensing and Business Development at Historic Royal Palaces commented: “It couldn’t be more fitting for The Royal Mint to continue their successful Tower of London licensed collection with Historic Royal Palaces by celebrating the institution’s own past as a part of Tower life. It has been a pleasure for our curators and experts to collaborate on this project to commemorate a joint history of such national significance.”

Coin title The Tower of London Collection – The Royal Mint 2020 UK £5 Brilliant Uncirculated Coin The Tower of London Collection – The Royal Mint 2020 UK £5 Silver Proof Coin The Tower of London Collection – The Royal Mint 2020 UK £5 Silver Proof Piedfort Coin The Tower of London Collection – The Royal Mint 2020 UK £5 Gold Proof Coin
Denomination £5 £5 £5 £5
Alloy Cupro-nickel 925 Ag 925 Ag 916.7 Au
Weight 28.28g 28.28g 56.56g 39.94g
Diameter 38.61mm 38.61mm 38.61mm 38.61mm
Obverse Designer Jody Clark Jody Clark Jody Clark Jody Clark
Reverse Designer Timothy Noad Timothy Noad Timothy Noad Timothy Noad
Quality Brilliant Uncirculated Proof Proof Proof
Edge Lettering THE ROYAL MINT THE ROYAL MINT THE ROYAL MINT
Maximum Coin Mintage Unlimited 1510 410 135
RRP £13.00 £82.50 £155.00 £2,640

ANA Budget Approved for FY 2020-21

American Numismatic Association Board of Governors Approves $5.17 Million Budget for FY 2020-21

At a Sept. 29 teleconference meeting, the American Numismatic Association (ANA) Board of Governors unanimously passed a $5.17 million budget for Fiscal Year 2020-21 – a nearly 10 percent decrease from the previous year’s approved budget. The new fiscal year begins Nov. 1.

“It’s no secret that COVID-19 has hit us hard financially,” said ANA Executive Director Kim Kiick. “But we’re making lemonade from lemons. This budget represents common-sense measures to sustain the Association through unpredictable times.”

“We devoted more time to this budget than in any year I can remember,” said ANA President Steve Ellsworth. “It was a combined effort of the Finance Committee, headed by volunteer Treasurer Larry Baber; newly hired Chief Financial Officer Brent Howe; and the ANA staff and Board.”

One of President Ellsworth’s primary objectives was that the Board thoroughly understand the budget. Staff was asked to prepare their budgets earlier this year to give the Board sufficient time to acquaint themselves with the Association’s finances, allowing for clarifying questions.

According to CFO Howe, revenues in 2020-21 include recognition of $900,000 in unrealized gains on investments. “The gain on ANA investments will be realized throughout the fiscal year,” he noted. “The recognized revenue will be used to help offset the expenses of fulfilling the mission of the ANA.”

ANA 2020-21 revenues are budgeted at $4.92 million, with an additional $204,692 transferred from restricted funds designated for specific programs, plus $31,100 for capital projects. The ANA is projecting the need to use $72,232 of unrestricted reserve funds in 2020-21.

“The budget is a living, flexible document,” said Treasurer Baber. “What we do drives the budget; the budget doesn’t drive what we do.”

Executive Director Kiick made repeated reductions to the 2019-20 budget as it became clear that the pandemic and forced cancellation of ANA events, such as its acclaimed Summer Seminar and World’s Fair of Money, were taking a toll on the organization’s finances. In all, the Association cut $574,379 from its 2019-20 operating budget and nearly a third of its staff.

In a separate motion, the Board voted 5-3 (with one absent) to authorize utilization of funds from the Ben E. Keith holdings to provide operational and program support through Fiscal Year 2020-21.

Treasurer Baber noted that the ANA is in an enviable position because of its reserves. “The ANA is extremely fortunate to have received Kenneth Keith’s bequest in 1977 of Ben E. Keith corporate stock to support the Association’s mission and programs. The value of the stock the ANA holds has grown from under $5 million in 2006 to $25 million in 2019, with additional stock, currently held in trust for the ANA, to be received in the future,” he said.

According to Baber, the details of Kenneth Keith’s bequest is a fascinating and little-known slice of ANA history that continues to shape the trajectory of the Association.

History of the Ben E. Keith Company Stock Endowment

Kenneth Keith of Jolly and Wichita Falls, Texas, was the nephew of Ben E. Keith and an heir to the food-and-beverage company bearing his uncle’s name. He also was an avid numismatist. In July 1975, five men broke into Kenneth Keith’s home, which he shared with his brother Jim, in search of a valuable coin collection that, unbeknownst to the burglars, had been donated to the American Numismatic Association’s Money Museum in 1971. Jim was killed during the armed robbery, while Kenneth was beaten and bound. The ANA posted a reward for the capture and conviction of the men, who were later apprehended and convicted of murder. In 1976 Kenneth Keith set up his will naming the ANA one of the remainder beneficiaries to his shares of stock in the Ben E. Keith Company, a closely held business that is a leading food-and-beverage distributor, serving customers across dozen-plus U.S. states. Kenneth Keith died the following year.

The Ben E. Keith Company, one of the largest Anheuser-Busch InBev distributors in the nation, is listed by Forbes as the 121st largest privately held company in the United States.

A copy of the approved budget is available online at www.money.org/financial-reports.

The American Numismatic Association is a congressionally chartered nonprofit educational organization dedicated to encouraging people to study and collect coins and related items. The ANA helps its 28,000-plus members and the public discover and explore the world of money through its vast array of educational and outreach programs, to include its museum, publications, conventions and webinars. For more information, call 719-632-2646 or visit www.money.org.

The Postcard Hobby of Bowers and Martin: “An Interesting Field of Interesting People Collecting Interesting Things”

by Dennis Tucker, Publisher, Whitman Publishing, LLC

Guide Book of Collectible PostcardsLike many hobbyists, I’ve read Q. David Bowers’s books since I was a young collector. For more than fifteen years I’ve also had the honor of being his publisher, adding many new works to his extensive oeuvre. As for Mary L. Martin, I’ve known of her for almost as long—Dave sings the praises of Mary’s parents, and of Mary herself, as experts in the field of postcards. It was an honor to finally meet her in person a few years ago, at her shop in Havre de Grace, Maryland, as the three of us discussed their latest collaboration, the 432-page Guide Book of Collectible Postcards.

Early in the planning process for this book, Dave shared some letters written between himself and a well-known postcard collector: Andreas Brown, president of the famous salon-like Gotham Book Mart (West 47th Street in Midtown Manhattan’s Diamond District). Dave had invited Brown’s feedback on a manuscript he was preparing on the postcards of Alphonse Mucha. Their letters back and forth are a fascinating exploration of grading, rarity, market values, buying and selling—every aspect of the postcard hobby, “an interesting field of interesting people collecting interesting things,” as Dave put it in one letter.

Those letters illustrate that Dave Bowers is neither a newcomer to the hobby, nor a dilettante. They were written in 1980. His coauthor on the Alphonse Mucha book was Mary L. Martin the elder—mother of his current collaborator.

Collectors of coins, paper money, medals, and tokens have known Dave Bowers as a prolific researcher and writer since the 1960s. Some also know he’s written authoritative references on other interests, such as automatic music machines and early silent-film history.

Over the years as Dave’s publisher at Whitman Publishing, I’ve often been asked, “How does he write so many books?”

First of all, as Isaac Asimov and other productive authors have said, “A writer writes”—and Dave has been doing this for more than fifty years. But what he does is multi-faceted and immersive, more than the simple (but important) physical act of sitting down at a desk and putting pen to paper.

The cornerstone of his system is the Bowers archives. Long before the Internet, Dave was compiling a personal library and research center of books, newspapers, magazine clippings and snippets, and other resources—anything and everything relating to his scholarly interests. He read and studied decades’ worth of old periodicals and made note of everything relating to, for example, postcards, collecting in the Golden Age, the intricacies of printing and distribution, Post Office procedures, and more.

As technology has advanced, so has the Bowers research machine. Historical images that he earlier had to clip, photograph, or photocopy can now be scanned and saved digitally in high resolution. Instead of having to travel to faraway museums and archives, email and the Internet put him in a hundred places at once, with instant communications.

This touches on another important factor in how Dave Bowers works: collaboration. “To have a friend, you must be a friend,” as the saying goes. Over a career that has spanned decades, he has built a reputation as a researcher who generously shares information instead of jealously guarding it. In return, other scholars share their own specialized insight—and Dave absorbs and synthesizes it as only he can, to then give to his readers.

Another element of the Bowers method is a constant and never-resting spirit of inquiry that spans genres, disciplines, and fields. Dave is as curious a student of current events as he is of the past. His book subjects run up and down the Dewey Decimal System. The hobby community is fortunate that postcards captured his imagination early on, and have never let go.

For the Guide Book of Collectible Postcards, the foundation of the manuscript was the knowledge Dave Bowers has been gathering over many decades as an active collector and historian. His partner in building on that foundation needs no introduction to postcard collectors. Mary Martin is the owner and operator of the biggest postcard dealerships and shows in the United States (quite possibly the world?), and an accomplished researcher in the field. She has authored, co-authored, or edited some fifty books on the subject of postcards. When I visited her Maryland shop in 2018, her inventory numbered in the millions of cards, dating back to the art form’s Golden Age (the 1890s through World War One).

Mary collaborated on the outline of the Guide Book, reviewed Dave’s research, and provided hundreds of high-quality scanned images. She marshaled her extensive knowledge of the market to provide valuations for the 1,300-plus cards illustrated, and values for hundreds of card types, varieties, and topics.

As famous collector Leonard Lauder observed in his foreword to the 2016 Bowers/Martin book The Postcards of Alphonse Mucha, “Postcard collectors value the hunt.” Every hunter benefits from a good guide, and the new Guide Book of Collectible Postcards leads the way.

Not simply a useful reference, the new volume will appeal to multiple and diverse audiences. Students of art, history, advertising, and related fields find the Guide Book interesting and informative. Fans of Art Nouveau, American comics, and vintage photography enjoy a gallery of outstanding works. Active hobbyists benefit from the valuation charts, detailed catalogs, and check lists. These resources give a blueprint to follow while building your collection, as well as a guide to valuing and analyzing cards you already possess. The bibliography, glossary, appendices, and indexes add to the book’s already impressive utility.

These diverse and well-crafted facets—educational and artistic, collector-oriented, market-savvy, and historical—combine to make Guide Book of Collectible Postcards a delightful and valuable addition to every bookshelf. I’m proud to have worked on it, and I hope you enjoy it.

Historical postcards from Whitman publisher Dennis Tucker’s hometown of Phoenix, New York, dating from the early 1900s. Bowers and Martin write: “Collecting postcards became a nationwide fad—some called it a craze—starting in the early years of the twentieth century, far out-rivaling the collecting of stamps and coins.” (Images courtesy of Gail Gleason and Pamela Ruetsch English, as noted.)
#   #   #
A Guide Book of Collectible Postcards
By Q. David Bowers and Mary L. Martin; foreword by Leonard A. Lauder
ISBN 0794847374
Softcover, 8.5 x 11 inches
432 pages
Full color
Retail $39.95 U.S.
https://whitman.com/a-guide-book-of-collectible-postcards/
Dennis Tucker is the publisher of Whitman Publishing; and numismatic specialist in the U.S. Treasury Department’s Citizens Coinage Advisory Committee. He is a longtime collector of postcards and has written articles for Postcard World magazine.

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